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Out now everywhere:
https://www.beatport.com/en-US/html/content/release/detail/172745/ocean
http://www.audiojelly.com/singles/260492
http://www.djdownload.com/artist/Stowers++Young/701106
http://www.junodownload.com/ppps/products/1422575-02.htm
http://www.trackitdown.net/search/keyword?q=stowers+%26+young

[1. Original Mix2. Daniel Kandi Short Mix3. Daniel Kandi Club Mix4. Joel Gershom Remix]

1. Original Mix
2. Daniel Kandi Short Mix
3. Daniel Kandi Club Mix
4. Joel Gershom Remix

To say there is a fair amount of hype around this release would be somewhat of an understatement!

Crowned Tune Of The Week on ASOT 403 by Armin van Buuren and voted Web Vote Winner on Trance Around The World with Above & Beyond. This has been without a doubt one of the most anticipated releases of the year.

A.M.R. blasted onto the scene last year with his double header As Time Goes By / Beach Sunset.
Now he's back with the fantastic Sand Dunes on Enhanced Recordings, with superb remixes from Daniel Kandi and Joel Gershom to boot.

Kandi's mixes display the best of the Anjuna-mans skills, adding huge amounts of power to the already excellently crafted original, whilst Joel Gershom turns out a fantastic prog-trancer with an immensely powerful breakdown and pulsing bassline!
 

Support: Above & Beyond, Activa, Adam White, Andre Visior, Andy Moor, Armin van Buuren, Charlie G, Cressida, Dale Corderoy, Dan Stone, Daniel Kandi, Daniel Sequentia, Danjo, Deep Voices, Deepwide, Ernesto van der Meij, Estiva, Fast Distance, Flash Brothers, Gil La, Graham Gold, Haris C, Ian Betts, Jon O'Bir, Jonas Hornblad, Jussi Soro, Lee Haslam, Manuel Le Saux, Matt Abbott, Matt Darey, Michael Angelo, MIKE / Push, Mike Koglin, Mike Saint Jules, Neal Scarborough, P.H.A.T.T, Paul Pearson, Pedro Del Mar, Phynn, Rav Takhar, Ruben de Ronde, Scott Bond, Sean Tyas, Sebastian Brandt, Suzy Solar, Talla 2XLC, Tania Mann, Tillmann Uhrmacher, Tom Colontonio, Tritonal, Will Holland, Xgenic, Yaz


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Mp3 @ Beatport

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Mp3 @ Audiojelly

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CDR @ CDJshop

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WWW
Twitter
Facebook

[1. Vanilla Sky2. Love Inside Out3. Absynthe]

1. Vanilla Sky
2. Love Inside Out
3. Absynthe

Arty is a name you probably haven't heard of yet, however we strongly believe he will be a name on everybody's lips come the end of 2009.

Producing somewhere between trance and house, with really strong chords and melodies, Arty encompasses the best of both styles superbly.

Vanilla Sky kicks off the ep in superb style with really 80's influenced chords and synths. Love Inside Out is a fantastic melodic number that builds and builds, making it really hard to choose between it and Vanilla Sky or the lead track for this EP; don't be surprised if you support both! Absynthe is a darker, techy affair that rounds off this stunning debut EP in fine style.

Supported by: Andre Visior, Charlie G, Daniel Kandi, Danjo, Deep Voices, Digital Nature, Dimitri Kechagias, DJ Redstar, DJ Shah, Ernesto van der Meij, Estiva, Flash Brothers, Gil La, Graham Gold, Haris C, Jon O'Bir, Kane Nelson, Kenneth Thomas, Kris O'Neil, Kristina Sky, Kyau vs Albert, Maarten Hercules, Manuel le Saux, Mark Pledger, Matt Abbott, Matt Darey, Menno De Jong, Michael Angelo, Michael Badal, MIKE, Mike Shiver, Neal Scarborough, P.H.A.T.T, Paul Pearson, Pedro Del Mar, Probspot, Robert Geitleman, Ruben de Ronde, Sied van Riel, Signum, Suzy Solar, Tania Mann, Tom Colontonio, Tritonal, Xgenic, Will Holland and many more


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Preview and grap @ Beatport

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WWW
Twitter
Facebook

[Ehren Stowers]

Ehren Stowers is making a third appearence on the Perceptive Recordings label. His first release was called Icarus and only a few months ago he released the stunning piece called Both Worlds. On this release Ehren has teamed up with Alex Young. Remixes come from some of UK's finest Sly One vs. Jurrane and Rozza.

Original Mix
Starting out nicely with rolling percussion, delayed choir effects, claps, hats and a kick drum. A rise plus a stretched choir effect launches the a rolling acid line and next stop is the rolling bassline which is being placed on top. A dark progressive synth makes another layer add-on and this is where the melody starts to build and the progressive synth fades. The main melody feels euphoric and atmospheric. The break section is being carried by some great string and the heavy pads which makes out the 'backing' layer. Back to the main melody and next a techy drop with some cool delayed effects.

Progressive Mix
The progressive version holds some of the same elements as the original. The sounds has been modified with reverb which adds atmosphere and gives the sounds a more 'open' touch. The deep bassline hooks in the track really adds a great progressive mood. The whole structure in the tune is not far from the same and the surroundings have been given a progressive rework.

Sly One vs. Jurrane Remix
This would be the 2nd remix this producer duo has done for Perceptive. Some of their work tend to be very dark and moody but this is quite a happy and uplifting remix. The main leads are fantastic. One being a lush heavily delayed synth and one being a big saw lead. An overall beautiful melodic interpretation!

Rozza's 'Out There' Mix
I have followed Rozza's productions for some time now and he rarely dissapoints me. It is a bliss to hear that he is making progress in his productions; his sense of detail has improved and this reflects this mix. More interesting fill-ins are being used which only makes everything more interesting. I'm not sure why he named the mix 'Out There' as I feel this is his traditional sound. It does have some techy touches but nothing that clouds the smooth melodic trance feel. Gorgeous mix.


Verdict
I am all over the Rozza mix which is my pick. I have always enjoyed his melody chord progressions and his choice of sounds. The originals both hold some great sounds but I am not much into the combination of sounds being used in the break. I had actually hoped for the Sly One vs. Jurrane to be a tad more in-your-face, but they still get away with it though. Nothing short of a great remix.

Beatport: 25/05/2009
All Other Stores: 08/06/2009

Perceptive @ WWW
Perceptive @ Myspace
Ehren Stowers @ Myspace
Sly One @ Myspace
Jurrane @ Myspace
Rozza @ Myspace



Ehren Stowers Interview

We caught up with Ehren Stowers ahead of the release of 'Ocean' to see how he's been keeping himself busy and found out what makes him tick.

How long have you been producing?
I started off in dance music as a DJ first, having played in many top clubs for about 4 years before turning to production. I started producing in 2004 after meeting Andy Young at the first Trance Generation event we held in London. We got on well and shared the same passion for music, so he took me under his wing and we produced our first track together titled 'Stowers & Young – The Second Coming'. We received a lot of support for the track from many high profile DJ's. Encouraged by this success, we carried on producing together throughout 2004 and 2005. At the end of 2005, having learned a great deal from working with Andy, I then started producing on my own. Although working solo can be great fun (providing the freedom to take a tune wherever you want), equally I find collaborating with people just as liberating (bouncing ideas off each other can really help). Since initially working with Andy, I have collaborated with Corderoy, Mystery Islands, Simon Bostock & others. I love working with Andy, and having recently completed 'Ocean, we are now working on a remix for Corderoy's 'Rock Guitar' due out this summer on Insight. Like all trades however producing is never easy, so you need to keep working at it hopefully improving with every new step.

Which producers in particular do you take inspiration from?
There are so many inspirational producers out there. For me though Corderoy is a great inspiration, as is Solarstone, Simon Bostock, Ben Gold, Mystery Islands & Activa. Sly One & Jurrane are also on fire at the moment, as is evident by their recent remix on the 'Ocean' package.

What is your personal favourite from our own discography and why?
Twisted Symmetry – I think because for me, it was the start of a new chapter in my life and that is evident in the sounds used and the direction taken on the track.

What can we expect from you in the coming months?
I am currently busy working on a new techno/tech influenced track which is really exciting me at the moment. Although it will still be uplifting, it's a bit of a departure from my previous releases. I have also recently completed a remix for Perfecto, 'KT – Wish You Were Here' – which is due for release shortly. Additionally, I have completed two EP's for Alter Ego (featuring tracks 'Tomorrow', 'White Sands', 'Quarantine' & a collaboration with Mystery Islands entitled 'Morphine').


This is the 2nd time you have teamed up with Andy, do you have any plans for further collaborations with him or any other producers?
Absolutely, I love working with Andy. I also have plans to work with Simon Bostock & Corderoy again and hopefully Adam White.

Following the success of your tracks in the past 12 months, on a variety of labels, have you thought about an artist album?
I definitely have enough material for one, but at the moment I am focusing more on singles or EP releases. Never say never though!

Which producer/producers are you expecting big things from this year?
I wouldn't be surprised if Ben Gold makes a lot of (good) noise this year.

The last 2 years has seen the fall of many club nights in the UK, still it has also seen the rise of huge success stories such as Digital Society, The Gallery @ Ministry and the continued rise of Electronic Sessions. Can we expect to see/hear more from your own 'Trance Generation' sometime this year?
It has been a tough time for the UK club scene, and in particular trance. Part of the reason for this is that many DJ fees are still too high. Although many artists can expect higher fee's abroad, the fee's need to reflect the local activity of the scene in order for it to be sustained. This indeed, has always been London's primary problem as far as trance is concerned. Although The Gallery is the one exception (they however are consistently booking A class artists which always attract the crowds). For the scene to be vibrant the smaller venues need to be equally successful; this attracts more people into the scene which filters across the whole food chain. As it stands, many of the smaller nights just simply can't afford the artists they need to sustain themselves. House/Electro is a good example of this - DJ fees are generally very low compared with trance, and as such are far more popular in London as a general rule. With Trance Generation, we always aimed to break these rules, in that it was a non profit organisation – every penny went back to the clubber in DJ's, visuals, décor etc. Trance Generation has never gone away. Promoting is hard but rewarding work. As such, we took the ethos that we would only put on events when we wanted to. We have had a bit of break since our last event now – and as such I think it's safe to say, that you will hear more from Trance Generation over the next 9-12 months.

What is your favourite club night right now?
It is still The Gallery – although I was cautious about the move from Turnmills to the Ministry – I have since fallen in love with the new venue. The Gallery was the night that first introduced me to Trance in early 1999, and will always remain at the top of my list.

[1. Original Mix2. Kris O'Neil & Simon Gain Remix3. Ilya Malyuev & Ormatie Remix]

1. Original Mix
2. Kris O'Neil & Simon Gain Remix
3. Ilya Malyuev & Ormatie Remix
 
Terje Bakke & Joni Ljungqvist were responsible for the massive 'Bali' which was one of Enprog's biggest releases to date, and are without doubt two of the most respected producers within their genre.

After much persuading the talented twosome have finally got back into the studio together to produce the follow up. As you would expect this is classic groovy progressive trance with Joni's lush melodies.

Up first on remix duties are Kris O'Neil and Simon Gain. The pair turn out a huge bassline driven remix that Will Holland featured on the recent Digitally Enhanced Vol 2 CD.

Secondly, Ilya Malyuev returns after his fantastic remix of Elsa Hill's 'Lost', this time teaming up with prog wizard Ormatie to complete a hat-trick of collaborations on this project. They produce a wonderfully deep rendition of the original; slowing down the pace and creating a really strong atmospheric soundscape.

A very welcome return which pushes all the right buttons; a big prog-trancer for spring!



Supported by: Tiesto on Club Life, Gareth Emery on GE Podcast, Solarstone on Solaris, plus: Activa, Adam Nickey, Adam White, Andy Moor, Big Al, Charlie G, Cressida, Corderoy, Dan Stone, Daniel Kandi, Sequentia, Deep Voices, Digital Nature, DJ Shah, Estiva, Flash Brothers, Graham Gold, Haris C, Jamesy Hannan, Jon OBir, Joni Ljungqvist, Kenneth Thomas, Kris O'Neil, Kristina Sky, Maarten Hercules, Manuel Le Saux, Michael Badal, MIKE, Mike Mikhjian, Misja Helsloot, Neal Scarborough, Neil Moore, Niklas Harding, Orjan Nilsen, Paul Pearson, Pedro Del Mar, Phynn, Robert Geitleman, Ruben de Rond, Sander Van Doorn, Suzy Solar, Tania Mann, Taras Trancetribe, Tempo Giusto, Arctic Moon, Tillmann Uhrmacher, Tino Hufeld (Breathemusic), Tom Colontonio, Tritonal, Wes Johnson, Yaz, Will Holland and many more!


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Preview and grap @ Beatport

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Terje Bakke @ Myspace
Joni Ljungqvist @ Myspace
Kris O'Neil @ Myspace
Simon Gain @ Myspace
Ilya Malyuev @ Myspace
Ormatie @ Myspace


Enhanced @ WWW
Enhanced @ Twitter
Enhanced @ Facebook

[Orjan Nilsen]

Tears In The Rain was released at the end of 2008 and was supported by just about every man and his dog and topped many of the store charts around the world, eventually going on to be our biggest release of the year.

Orjan Nilsen was a big fan of the track and asked for the parts to make his own version; having had several releases on Enhanced already we didn't think twice about letting one of Norway's hottest talents and one of our favourite producers take his own twist on it!

This is the outcome; Already supported by Armin on ASOT, this is a fantastic remix that takes the track in a totally fresh direction from its release last year, and as with all Orjan tracks causes serious carnage on the dancefloor!



Supported by: Armin van Buuren on A State Of Trance, plus Adam Nickey, Adam White, Big Al, Charlie G, Cressida, Corderoy, Dan Stone, Daniel Kandi, Sequentia, Deep Voices, Deepwide, DJ Shah, Ernesto vs Bastien, Estiva, Haris C, Jon O'Bir, Jonas Hornblad, Jussi Soro, Kris O'Neil, Kristina Sky, Maarten Hercules, Manuel Le Saux, Manuel Saux, Michael Angelo, Michael Badal, Mike Koglin, Mike Saint Jules, Mike Shiver, Misja Helsloot, Mystery Islands, Neal Scarborough, Neil Moore, Nick Chemical, Niklas Harding, P.H.A.T.T, Paul Pearson, Pedro Del Mar, Robert Geitleman, Ruben de Ronde, Scott Bond, Sied van Riel, Suzy Solar, Talla 2XLC, Tania Mann, Tempo Giusto, Tom Colontonio, Yaz, Will Holland and many more


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Preview and grap @ Beatport

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Orjan @ Myspace


Enhanced @ WWW
Enhanced @ Twitter
Enhanced @ Facebook

[Flashover]

Chad & Dave are once again ready with a new single and this would number 2 on Flashover. They have once again joined forces, with partner in crime and countryman, Christina Soto whom delivers the vocals. On this single you will find remix from 2 new Flashover producer profiles, Treadstone and JL Aleph thus an 'Air Up There' version by the boys.

Original Mix / Original Dub
This intro is heavily spiced with percussion elements, that are all shaped and equalized and fits in perfectly. The bassline, the melodies and vocal bits are making an appearence before a short break were the bassline, on its own, creates a good atmosphere. In the following stage we get the full package; the vocals and the grand melodies in full. The vocals are especially good - they aren't as cliché as vocal tend to be in the trance genre, and are somewhat fresh and playful. Great structure, great balance, great vocals and great melodies. What more can you ask for? Head straight for the vocal version!

'Air Up There' Remix
'Air Up There' has become Chad & Dave's 'uplifting' trademark and it is a project that gives them the oppurtunity to fullfil their singles by themselves and create an alternative to their own originals. This is therefore a more pumped up version with a heavier kick, brighter melodies with a trance boost and some sizzling bassline hooks.

Treadstone Dub Remix
This version starts off well, with some a great drum arrangement thus a little bit special and escalading build-up, which slowly works towards a nu-school progressive house themed peak. The peak consists of this massive riff with a big room vibe, which is followed by some banging drums.

JL Aleph Remix
The last version is very much in the same groove as the original. The same chord progressions with some alterations in the synth setup. The tempo has been drawn down a few notches, to possibly aim for the more house oriented segment. The percussion has also been given a makeover.


Verdict
What is most remarkable about this single, is that this is a big step forward in Tritonal's developement as producers. Their sense of detail feels better and the track feels fresh og exciting. Christina Soto also deserves a bit of the honour here for delivering her best vocals to date. As mentioned earlier, the lyrics breaks out from the usual and the trance clichés. The 'Air Up There' version does what it is supposed to and creates a good euforic atmosphere, but it does not possess the same unique qualities as the original. JL Aleph does not add anything groundbreaking to the track, but on the other hand he does not ruin it either in any way. Treadstone's version has that booming progressive house sound and with an impressive amount of energy in the center and a slight techy theme which makes it ideal for club use.

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Preview and grap a copy @ Beatport

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Tritonal @ Myspace
Tritonal @ WWW

[Digital Society Recordings]

Digital Society Recordings (DS-R in short), a new Enhanced Recordings sublabel. Digital Society are already known for their massive trance events in the north of England and now, this brand will also offer some tasty trance. The music on offer is very much a natural extension. First release is from Joe Garrett, whom have created quite a stir with his Temple One productions.

Check out this new ep which holds lush melodic trance, were Afterglow is acting as a light but bright trancer with a pounding bottom end. Paradox is the evil twin brother being the slightly darker of the two.

Joe celebrates his release with DJ dates for Digital Society in Leeds, Peterborough and in Sheffield for the mighty Gatecrasher as part of an Enhanced and Digital Society arena.

Watch out for more material on Digital Society from Artists such as Alex M.O.R.P.H. & Woody van Eyden and Manuel Le Saux.

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Preview and grap a copy @ Beatport

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Radio support from Armin van Buuren and Above and Beyond plus support from Activa, Adam Nickey, Adam White, Bart Claessen, Dan Stone, Daniel Kandi, DJ Shah, Estiva, Flash Brothers, Ian Betts, John O'Callaghan, Jon O'Bir, Joni Ljungqvist, Kristina Sky, Maarten Hercules, Manuel Le Saux, Matt Darey, Menno de Jong, MIKE, Neal Scarborough, Pedro Del Mar, Robert Geitleman, Ruben de Ronde, Sebastian Brandt, Sequentia, Sophie Sugar, Suzy Solar, Talla 2XLC, Tania Mann, Tillmann Uhrmacher, Tom Colontonio, Will Holland and many more

Selected DJ Comments:
Armin van Buuren – "One of my favourite producers at the moment" - ASOT support
Above & Beyond – Support on TATW!
Menno de Jong – "Trance Anthem!"
John O'Callaghan – "Temple One never disappoints! Great release to kick off the label"
Matt Darey – "Superb mixes from Temple One!"
Tom Colontonio – "Loving Paradox – Full Support!"


Enhanced @ WWW
Enhanced @ Twitter
Enhanced @ Facebook


Other stores:
Audiojelly
DJDownload
JunoDownload
TrackItDown
Dance-Tunes

[Sindre Eide]

It's here! Sindre Eide's follow-up to 'Only When I Sleep' is finally out and is being complimented with remixes from Andy Tau, Fast Distance and Michael Angelo. It has recieved support twice on Armin's A State Of Trance radio show and on Ferry Corsten's Corstens Countdown.

Having teased us with a selection of superb remixes since 'Only When I Sleep', he now delivers his much anticipated follow up 'Essentia'. This time he up's the tempo and delivers a stunning and once again quite beautiful trancer with all the right elements and killer lead hook.

An Enhanced Recordings single not to miss!


Mp3s Available @:
Audiojelly
Beatport
Dancetunes
DJDownload
Trackitdown
Junodownload




CDR Available @:
CDJshop


Sindre Eide Interview
Sindre Eide @ Myspace
Enhanced @ WWW

[Sasha Virus]

Russian Sasha Virus debuts on Enhanced with his vocal collaboration with Dilara.

A laid back, melodic progressive track with a swelling bass and airy pluck lead, built around the sultry tunes of Dilara results in a really classy outing.

Remixes come from two of Enhanced's 'wonder kids' Estiva and Sindre Eide, who have both seen huge reactions to the recent promos of their new releases. Sindre takes the track in his brilliant progtrance style, really adding pace to the proceedings whilst using the vocal superbly around his new lead. This track was used to close Disc One of the recent Digitally Enhanced Vol 2 CD, and was noted a highlight by Mixmag.

Estiva once again goes for the Tech route, and having seen support across the board for his Tech rendition of 'Fading Freedom' he produces and essential take on the original; and fans of the latter won't be disappointed!



Support from: Armin van Buuren (ASOT), Above & Beyond (2 x TATW), plus, in alphabetical order... Adam Nickey, Adam White, Amadeus, Andre Visior, Big Al, Dale Corderoy, Dan Stone, Daniel Kandi, Daniel Sequentia, Danjo, Deep Voices, Digital Nature, Dimitri Kechagias, DJ Shah, Elsa Hill, Ernesto van der Meij, Estiva, Flash Brothers, Gil La, Haris C, Ian Betts, Jav D, Jon O'Bir, Jonas Hornblad, Kristina Sky,Les Hemstock, Manuel Le Saux, Mark Eteson, Michael Angelo, Michael Badal, MIKE, Mike Mikhjian, Misja Helsloot, Mystery Islands, Nicholas Bennison, Pascal Signum, Paul Pearson, Pedro Del Mar, Robert Geitleman, Ruben de Ronde, Scott Bond, Sean Tyas, Suzy Solar, Talla 2XLC, Temple 1, Tempo Giusto, Tillmann Uhrmacher, Tom Colontonio, Yaz, Will Holland and many more.

Beatport:
https://www.beatport.com/en-US/html/content/release/detail/168049/2gether%20We%20Are

UK Trance Alliance review:
http://www.uktrancealliance.com/forums/index.php?showtopic=47210

Sasha Virus Myspace
Sindre Eide Myspace
Estiva Myspace

Enhanced Recordings website
Enhanced Recordings @ Twitter
Enhanced Recordings @ Facebook

Hi guys. Here are the lyrics from "Those Mornings" to those who are interested:


We'll know what happened here,
when the cities dissapear,
Will we ever stop to ask the reason why?
Watch the mannequin learn,
to heal the finger burn,
On oven clouds we'll shout "we torched the sky!"
 
When moonbeams,
bend and bow,
to golden goddesses below.
Then we'll sing,
sending silver strings,
all our theories off to war.
 
She goes down like the sun at night,
I rise like the sun in the morning.
Spread your hadouken wings, only to
leave the nest to die.
 
She goes down like the sun at night,
I rise like the sun in the morning.
Leave the coral reef, aqua-scape, and,
we will learn to fly.
 
(Lyrics - Copyright 2009 - Josh Money)

Available at CDJshop now



Clicky

[A truly massive debut release from Digital Society, already supported by the likes of Armin van Buuren, Above & Beyond, John O'Callaghan, Menno de Jong and many more.]

Digital Society Recordings (DS-R) is the new label from 'the Holy Grail of northern clubbing' - Digital Society - the most talked about UK trance night in the north of England. Following on from 2 years of sell out events featuring the cream of the world's DJ talent, the brand now turns to release the music of the favourite guests and residents of the night on their new imprint; a sub label of resident Will Holland's Enhanced labels.
 
Joe Garrett has be one of the most prolific producers of the past 12 months under his Temple One moniker.
 
As you would expect from the young Brit, he delivers an EP of superb, quality melodic trance; pure hands in the air brilliance, and two tracks no DJ can be without! A truly massive debut release from Digital Society, already supported by the likes of Armin van Buuren, Above & Beyond, John O'Callaghan, Menno de Jong and many more.
 
Joe celebrates his release with DJ dates for Digital Society in Leeds, Peterborough and in Sheffield for the mighty Gatecrasher as part of an Enhanced and Digital Society arena.
 
With a new Temple One EP lined up on Enhanced Recordings and a mix compilation coming in a couple of months, Joe is definitely one artist to watch in 2009. With forthcoming releases from the likes of Alex M.O.R.P.H & Woody van Eyden in their Lexwood guise, Manuel le Saux, and a compilation mixed by the almighty Matt Hardwick, DS-R looks set to cause a real stir from the off!
 
Radio support from Armin van Buuren and Above and Beyond plus support from Activa, Adam Nickey, Adam White, Bart Claessen, Dan Stone, Daniel Kandi, DJ Shah, Estiva, Flash Brothers, Ian Betts, John O'Callaghan, Jon O'Bir, Joni Ljungqvist, Kristina Sky, Maarten Hercules, Manuel Le Saux, Matt Darey, Menno de Jong, MIKE, Neal Scarborough, Pedro Del Mar, Robert Geitleman, Ruben de Ronde, Sebastian Brandt, Sequentia, Sophie Sugar, Suzy Solar, Talla 2XLC, Tania Mann, Tillmann Uhrmacher, Tom Colontonio, Will Holland and many more
 
Selected DJ Comments:
Armin van Buuren – "One of my favourite producers at the moment" - ASOT support
Above & Beyond – Support on TATW!
Menno de Jong – "Trance Anthem!"
John O'Callaghan – "Temple One never disappoints! Great release to kick off the label"
Matt Darey – "Superb mixes from Temple One!"
Tom Colontonio – "Loving Paradox – Full Support!"
 
 
Audiojelly Exclusive: http://www.audiojelly.com/singles/249555

CD @ CDJshop: http://cdjshop.com/cart/product.php?productid=164275


Enhanced on Twitter:
http://twitter.com/enhanced_music

Join Enhanced on Facebook:
http://www.facebook.com/home.php?#/group.php?gid=12287951285&ref=ts

More info:
http://www.enhancedrecordings.com

[Productions]

Sindre Eide is a new and young artist coming from the cold norths of Norway. Although his childhood was spent singing, and playing rock and pop music. Sindre discovered EDM-dance music around year 2001. After a long pursuit of trance and progressive knowledge, Sindre finally started to produce trance-music in 2005.

At the tender age of 15, he signed his first deal. Not long after, a deal with Enhanced Recordings appeared and Sindre stepped into the trance-scene quicker than imagined. With a progressive sound with of uplifting elements , Sindre is ready to capture listeners with his sound. With plays from the likes of Markus Schulz and Andy Moor, Sindre will be sure to bring you more beats in the near future.

Productions
Sindre Eide vs. Aimar - Alive Again [Mainframe]
Sindre Eide - Only When I Sleep [Enhanced]
Sindre Eide - Essentia [Enhanced]

Remixes
Acute - Citadel (Sindre Eide Remix) [Infrasonic]
Anhken pres. Frysta - If Not Me (Sindre Eide Remix) [Enhanced]

Compilations
Masters Series Vol. 1 mixed by: Will Holland, Alex M.O.R.P.H. & Woody van Eyden
Digitally Enhanced Vol. 2 mixed by: Will Holland


Q: Heya Sindre how are you and what are you doing right now?
A: I am doing very good, thanks! Just found out Ferry Corsten supported Essentia yesterday, so I am sitting at school in this frenzy trying to stay calm. So obviously, everything is superb..
 
Q: The sun is shining where I am at. How is the weather in Norway at the moment and where exactly in Norway are you based?
A: Right now there are dark clouds everywhere, but no rain. Which is sort of strange since I'm living on the westside of Norway, Bergen, where the rain is non-stop. So we're hoping for the spring to return any day soon.
 
Q: Yes. Bring on the spring. Ok, so Sindre when you are not tweaking those knobs in the studio what do you do then?
A: When I'm not in the "studio", I study. I'm currently studying music, and it takes a lot of energy and time. I cannot complain though, because I am having a blast. So basically music is my life. What I've been doing for 2 years now is singing and dancing everyday, doing musicals and hanging with hardcore rockers that really hate trance music. Haha!
 
Q: Sounds like a huge step but interesting. Do you see it as a risk to go all in on the music and does your family support you?
A: I really don't know yet if music is the way to go, but that is why it's good to have three years of studying music so you can figure that out. My family has been so supportive for my music and all the other activities I do. I feel really lucky to have them standing next to me cheering, no matter what I choose to do. Off course there is a certain risk to go all in on the music, because very few really succeeds and makes it in the music industry. I'd like to think though if you really want something and work hard for it, you can succeed. You just need that strength. It's a tough business. So if music is the future, we'll just have to wait and see.
 
Q: It is always good to be backed up by ones family and friends. How did a guy like you stumble upon a genre like trance?
A: I have no idea really why I'm so interested in trance, or any kind of electronica really. I still remember being just 8 and seeing Tiesto for the first time on the Norwegian version of "Top of the Pops". It instantly appealed to me, and after that it always has been my favourite genre of music.
 
Q: How is the electronic dance music scene in Norway and has it evolved over the past few years? And of course, is there any room for trance?
A: The electronic dance music scene in Norway has grown a lot these years. We have a lot of talented producers doing it really big like Orjan, Boom Jinx, FKN and The Blizzard. Although the clubbing environment is probably near to nothing. I am not 18 yet, so I really haven't looked into EDM-nights, if there are any at all. Around 1999 though Trance was huge in Norway, but then it got a bad reputation because of narcotics. Of course I think there's room for trance, but it all comes down to people opening up their minds and expanding their horizons. Not everything has to be popular music.
 
Q: These days everybody seems to start promoting themselves as a DJ shortly after their first single release. Your age aside, have you considered the same, and why (or why not)?
A: I have considered it yes. Some years ago I tried to DJ, but gave up and started producing instead. I would love to give it a go, because I have had loads of requests from clubs and such, and I have been invited to play at Enhanced events. Maybe I'll have to hook up my turntables now! Hehe.
 
Q: The digital revolution brought a few new things to the scene. Top jocks like Paul van Dyk and Sasha are doing just about every live set DJ software tools. What do you think about this?
A: For me, I really love the feel of vinyl and I know many feels the same way. I don't mind though people going digital, I just like to keep it a tad retro with the decks. Especially when you get your own name printed on one!
 
Q: Who is your current favourite DJ?
A: My current favourite DJs has to be.. Above & Beyond. Will always stay number one! Still have to see them one day though when I turn 18.
 
Q: Back to the digital revolution subject; these days there are hundreds, if not thousands, of small 'digital only' labels. Do we really need all of these and are they doing more bad than good?
A: In my opinion we don't need more small "digital" labels. We have too many of them, and alot of them focuses on the same thing. So I don't see the point in making replicas of the same thing. I also get the feeling sometimes that people start labels to release their own music, and that probably is one of the reasons for the over flood. As many people say, if you sift through stores as beatport.com you'll find that 95% is pure c*** music because of these small labels. Quality over quantity, I'd say!
 
Q: All of these labels have made it much easier for the little guy to get his productions out there. Unfortunately a lot of low quality productions are being put out there today and even supported. When did you decide to send your first demo and did you set up any demands for yourself in terms of quality?
A: The thing is that when you are young, and you think you have something quality going on. You don't, unless you are extremely good that is. I am so embarrassed really, when 2 years back I was sending out demos that sounded like crap. I had only produced for a year, and I didn't really have any standards of what I thought was good. I just produced something and asked for opinions. The moment people said "I like this", that was kind of a green light for me sending out demos. So I was kind of naive, but I think it has helped me a lot. Sending out demos got me in touch with a lot of great people that helped me with my producing. Enhanced are picky with what they release and always try to get the best finished track / improve tracks before release.
 
Q: When and how did you find that special signature sound that you are known for today. Was this a long process or did you know exactly which sound you wanted to bring accross?
I really have no idea what kind of special signature sound I have. These years I've been wobbling back and forth with uplifting trance and progressive trance. So I guess I just settled to something in between. What I want to produce really depends of what mood I'm in. Sometimes I get really inspired by acts like Roger Shah, and then I think "Holy s**t, I need to make something balearic like that". Other times it may be minimal techno or some strange housemusic.
I really don't want to decide on one special subgenre of trance, I think that makes a producer boring.
You need to show versatility. All in all, it was a very short process for me. Sound comes and goes.
 
Q: In the whole production process; what is your favourite part to do?
A: That's a toughy. For me getting a good beat is what starts everything. It sounds strange, but once I have a bassline or beat going I know what melodies I can make to it. I've always said to myself that percussion and beats are the hardest thing, but I think also they are the most fun to make.
Also melodies don't just pop up in my head. They come together when I sit at the piano, laying my head on some of the keys.
 
Q: I am sure a lot of people are interested in knowing what studio equipment you have. Also please let us know what your favourite tool is, be it a vst, a real instrument or some useful software.
A: Sorry to disappoint you all, but my one and only favourite tool is: Reason 3.04.
I haven't produced with anything else these years. I think it's probably time for me to try out VST's though. It's just that I've been so attached to the simplicity of Reason, and I don't want to let it go. So I am trying to milk everything out of Reason before I move on to the next thing. Haha.
 
Q: This one is for the Reason users then; do you have a favourite sound module in Reason?
A: Probably the simplest one. The Subtractor! You can tweak for hours.
 
Q: I have heard that you also play an instrument. Please tell us a bit about that.
A: I don't really play an instrument. My main instrument these years has been my voice.
I've been singing all my life, doing musicals, concerts and shows. You name it. Currently I am doing the premiere of Miss Saigon here in Norway, so everything that I learn in school will come in handy here. I've always wanted to sing on my tracks, but then again I am too picky. So I get others to do the job. Haha. Also as you may have heard in the tracks, I do play the piano.. Occasionally.
 
Q: You are still young and a year has still not passed since your successful single called "Only When I Sleep" got released. On your journey, what has so far been the best experience?
A: There have been so many. Although I need to choose last week as a whole experience. It was probably week of the year for my music. I got support from Armin van Buuren, Ferry Corsten and Above & Beyond. My goal one year back was to get played on my favourite shows and by my favourite dj's before I turned 18. Now I have managed all of them, so I think it's time for me to retire. Haha. I think the best one has to be Above & Beyond though. They have been my favourite act ever all these years, and when they played a remix that I did for Sasha Virus, I just died inside. Even though it was not an original of mine, it still has my touch to it. My dream came true!
 
Q: Without mentioning any big rockbands are there certain people that you would love to work with?
A: When it comes to collaborations, I think I'm the world's most retarded person. People have their way of working, and I have my own. My way of producing may be the worlds simplest, but in the eyes of others it may be the most horrendous. Before I can willingly dare to collaborate with producers, I need to get my act together and know what I am doing first. Haha!
Off course there are people that I want to work with, but they are too high up in the career ladder for me... for now. Hehe, just kidding.
 
Q: So, you're an Enhanced Recordings artist with 2 releases and 2 remixes and even more stuff coming up. Your collaboration with Danish producer Mark Andréz was aired on this months Enhanced Recordings Radio Show. Do you have more projects in store for Enhanced?
A: Off course! I am going to a do a remix as we speak, but I cannot reveal the tune quite yet. As for originals, I don't have anything ready at the moment. I will make one soon though, I just need to top Essentia somehow. Haha!

Q: While we are at 'Enhanced'; are there any current tunes, forthcoming tunes or any artist from the label that you are digging?
A: I am so loving MoodFreaks stuff at the moment. After I heard his stuff on the Digitally Enhanced vol.2 compilation, I completely fell in love with his funky stuff. "In Your Face" is probably one of my favourite tunes of this year! So I cannot wait to hear more from him.
 
Q: Please let us know your current music top 5.
1. Breakfast - Remember
2. Alphabeat - Fascination
3. Trentemøller - Chameleon
4. Mat Zo - Lucky Strike
5. Røyksopp - Happy Up Here
 
Q: Tell us 2 or 3 things that we definitely do not know about you?
A: 1. I started to dance swing when I was eight years old, and continued for six whole years. Took a pause for two years, but recently started taking modern classes.
2. Have only seen one live trance act in my whole life. That was Menno De Jong when I was 14.
What I didn't know was that I actually met DJ Paul Moelands, while I was yelling my ass off trying to get in touch with Menno. Mr. Paul helped me get him, and I met one of my idols. Actually two! Thanks Paulie!
3. I am strangely fascinated by Gossip Girl. Only seen 2 episodes though.. heh...
 
Q: Thank you for this interview Sindre and all the best wishes. Before we let you go, now is the time let us know a little about forthcoming material.
A: Thanks for the cool interview mate, here is some info about forthcoming material.
I have a lot of exciting stuff going on at the moment, but I have some that is forthcoming soon.
My remix of Sasha Virus's "2Gether We Are" is coming in May, and it has received support from the likes of Armin, Above & Beyond, Adam Nickey and Alex M.O.R.P.H.
I made a track with Mark Andrèz called "Forget Me", which is being released on Enhanced Recordings. I can tell there is an Adymus remix coming along with it.
I also have a progressive track with the vocalist Cat Martin. The track is called "Give It Up", and we're in talks with a really cool label. Unfortunately I cannot really confirm stuff at the moment but will give info as soon as things have settled. Cheers!!


Forthcoming
Sasha Virus feat. Dilara - 2gether We Are (Sindre Eide Remix) [Enhanced]
Eide & Andréz - Forget Me [Enhanced]



Buy Sindre Eide's new single "Essentia" here:
https://www.beatport.com/en-US/html/content/release/detail/165705/essentia

Myspace:
http://www.myspace.com/sindreeide

Enhanced Recordings:
http://www.enhancedrecordings.com

Check out the new interview with Sindre Eide here:

http://www.enhancedrecordings.com/forum/viewtopic.php?f=1&t=84





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